"Other
than being your friendly curator and founder of Curating the Unseen,
I am a full blown agoraphobic. So I have no social life to speak of.
Though I did manage to graduate with honors from The Southeast School of Photography with my A.S degree.
I live in Florida, but would much rather be back home in Oregon (Portland area.)
My husband and I have a plan to make that happen eventually.
Though I did manage to graduate with honors from The Southeast School of Photography with my A.S degree.
I live in Florida, but would much rather be back home in Oregon (Portland area.)
My husband and I have a plan to make that happen eventually.
For
fun, I like to stay in my house hissing at strangers and playing a
lot of video games.
I organize my amazon wish list and enjoy reading. The usual 'Shut-In' activities."
I organize my amazon wish list and enjoy reading. The usual 'Shut-In' activities."
(In collaboration with Ryan Melvin)
"Curating
versus creating my own work are worlds apart, yet some standards are
shared.
In both cases I am looking for interesting, original work with either good technical skill or happy circumstance that just fits together.
In both cases I am looking for interesting, original work with either good technical skill or happy circumstance that just fits together.
A
lot of the work on the site is very different from my own personal
style of shooting.
Actually, I am far more attracted to journalism photography and very much enjoy shooting that myself. But the work on the site is by far mostly fine art. Fine art just happens to be submitted to us more. I am always hopeful and rooting for the few photographers that submit street/journalism but they have to be up to the standards of the site.
I can't just accept them because they are a field of photography I personally enjoy.
The most difficult aspect of curating is rejecting work from friends and ex classmates. I do everything I can to get them more exposure including re-organizing entire bodies of work. It's not uncommon.
Actually, I am far more attracted to journalism photography and very much enjoy shooting that myself. But the work on the site is by far mostly fine art. Fine art just happens to be submitted to us more. I am always hopeful and rooting for the few photographers that submit street/journalism but they have to be up to the standards of the site.
I can't just accept them because they are a field of photography I personally enjoy.
The most difficult aspect of curating is rejecting work from friends and ex classmates. I do everything I can to get them more exposure including re-organizing entire bodies of work. It's not uncommon.
The
more frustrating parts of curation are the artists that don't bother
to look at the site before they submit. You would not believe how
many film makers and illustrators I get.
Take the two minutes at actually look at my site before just dumping your link in my lap."
Take the two minutes at actually look at my site before just dumping your link in my lap."
"It
all started with a boy, Ryan Melvin.
The guy I was dating in my 20's
had this top of the line digital camera that was so expensive he
wouldn't let me play with it. I was an art major at a junior college
at the time (hating every second of it) and out of pure spite I
signed up for a photo 101 class, bought myself a bunch of slide film
and a 'Canon Rebel.'
About
two weeks into the class I came home and told Ryan (the boyfriend and
the photographer that collaborated with me on some of these photos)
that I realized what I wanted to do with my life. I was going to
become a photographer.
In
utter frustration he objects, 'But you don't even LIKE photography!'
and I said, "yeah, but I'm really good at it!'. And it's true.
Until I found the work of Sally Mann, I wasn't a fan of photography
as an art form, but I really enjoyed taking photographs. That was
over 15 years ago.
Ryan has been a close friend to me for a very
long time. originally, he was going to proceed over the marriage
ceremony but when my husband and i decided to elope, I still wanted
to see Ryan and have him meet my new husband.So he paid us a visit
and during that time we made a series that ended up being part of my
wedding album. I had a lot of props I wanted to use and we sort of
took turns with poses and ideas. It was a lot of fun because even
though he started me in photography, we had never worked together
before."
"Posing nude is not something I do often.
A LOT of people I know personally look at this website and I was raised to be modest, but I have a personal motto which I try to live by- 'Don't ask anyone to do something you wouldn't do yourself'.
There are so many brave models and photographers on this site who have shown their bodies., and if I can't do that myself, I have no right to ask them to.
It's also become increasingly important to me to show that a nude body is not pornographic.
I definitely have body issues, like most people. I want these photos for myself more than anything. When I'm old, I'm going to look at my not completely flat stomach, and my freckles, and thin lips and all the rest of my flaws and think, 'Shit, I was really beautiful.'"
"It's
my personal opinion that if a photograph is in color,
color should be
paramount to the image. otherwise there isn't a point.
I shoot in
both b/w and color.
I
can't say I prefer one over the other
but I am very aware of the
choice when making it."
"I
photograph because it's become a way for me to understand and
document my own world.
I'm generally terrified of people and the outside, so naturally I was attracted to street photography and portraits almost right away. It's comforting to have that barrier of the lens between me and honestly, it allows me to stare at people as long as I want without being creepy. I snap a photo and keep going so I can study it at home.
I'm generally terrified of people and the outside, so naturally I was attracted to street photography and portraits almost right away. It's comforting to have that barrier of the lens between me and honestly, it allows me to stare at people as long as I want without being creepy. I snap a photo and keep going so I can study it at home.
A form of people watching where I can be safely tucked at home away from them."
"The
most important part of my work is when an image means something, it's
not just a pretty picture. That's why my series, "No Shelter here", about dogs abandoned into the humane society, will always be my
'magnum opus.' I don't think I will ever do anything as meaningful.
There
is a particular photography series I would love to do and I hope that
one day I will be healthy enough to do it. In college, a fellow
classmate- really fantastic beautiful kid- was killed in a car crash.
An old man with a suspended license got behind the wheel and he took
Jon from a lot of people that cared for him. In a conversation with
his mother she told me about a photo series that she had suggested to
her son of photographing cities that shared the same name. (Paris,
France and Paris, Texas for example.)If I remember right, Jon didn't
seem interested in this project but I have never forgotten it.
I
would really love to do that."
"The
best advice I have ever been given was through a photo assignment way
back in photo 101.
We had to photography light. Just light. the teacher refused to show us any examples as I was dumbfounded.
This was my first camera after all.
I agonized over this assignment. I cried, I was that frustrated.
The end product wasn't that good but I never looked at light the same way again."
We had to photography light. Just light. the teacher refused to show us any examples as I was dumbfounded.
This was my first camera after all.
I agonized over this assignment. I cried, I was that frustrated.
The end product wasn't that good but I never looked at light the same way again."
(in collaboration with Ryan Melvin)
"Although
I hate the Eagles with a passion I have to say,
'Take it easy, don't
let the sound of your own wheels drive you crazy."
is one of the
best lyrics ever written."
(Interview by Carli Vogel)
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